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This paper illustrates how the use of multiple qualitative methods enriches the study of social phenomenon by providing multidimensional perspectives of complex situations.Heidi Hatfield Edwards, Pennsylvania State.Triangulation: Layering Methods to Uncover Layers of Meaning Questioning the ulterior motives situated behind the Western enterprise of health campaigns, it argues that international health campaigns seek to create docile bodies that would offer themselves to the support of the imperial powers of the developed world. Based on the fundamental argument that silencing and marginalization of third-world voices lie at the core of miscommunication in international health campaigns, this paper offers a critical lens to inform the current scholarship and praxis of health campaigns.Theoretical Approaches to International Health Communication Campaigns: A Critical Viewpoint from a Marginalized Space Using Merleau-Ponty’s phenomenology of subjectivity, in which identity stems from embodied experience, this paper theorizes the dialectical relationship of reader and text in a way that moves away from top-down “effects” models as well as valorizations of the “active audience” to posit a more complex and reiterative notion of identity formation and decoding. This paper offers a theory of media reading that uses phenomenology to reconcile Althusser’s concept of media “interpellations” of readers with psychoanalytic concepts of the subject.Toward a Phenomenology of Media Reading: Theorizing the Embodied Subject, and the Text 2) An analysis of how news narratives reinforced assumptions that economic development and environmental protection can be achieved with the proper control of authorities accompanied by technological development.
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The analysis focuses on two areas: 1) A discussion of the dominant news theme, a narrative that utilized the “goose that laid the golden egg” analogy both explicitly and implicitly. This research examines media coverage of the economic and environmental transitions from tin mining to tourism at Phuket Island, Thailand.This paper examines the contestation over the meaning of the public interest between the government, radio corporations, and amateurs, with focus on the amateurs’ vision of “Citizen Radio.” This paper appreciates Citizen Radio as an actual process of developing the meaning of the public interest, while revealing how the project failed and corporate interests took over its meaning.įrom Tin to Tourism: Nature for Sale in Phuket, Thailand The language of “the public interest” was first introduced in broadcasting by Herbert Hoover when the “broadcast boom” swept the nation.Sincerely admitting mistakes, showing regret for them, and correcting them because it is the right thing to do, and announcing long-term corrective actions to prevent reoccurrences are basic requirements for successful media apologia.Ĭompeting for the Public Interest, 1920-1922: Amateurs and ‘Citizen Radio’ The apologiae are criticized using rhetorical theory. Six prominent news media apologies offered between 19 are examined to determine strategies used.James Aucoin and Melva Kearney, South Alabama.Saying They’re Sorry: News Media Apologia Strategies Using Turkish media as a case study with a special emphasis on radio and music, this study draws on the concept of hegemony to identify the ways in which the global is conceived, experienced, negotiated and transformed by the local. Globalization is viewed as a complex process of global/local interaction where many contrasting elements, such as nationalism, ethnicity, regionalism, diversity, homogenization, imperialism, and domination are constantly contested and redefined. This study analyzes media hegemony and the impact of media globalization and privatization on national-cultural identities in Turkey.Privatization of Radio and Media Hegemony in Turkey ¡Qué Mujeres! is one battleground among many in which the struggle over the definition of “Venezuelan woman” is endlessly played. on Univision, uncovering the ways in which gendered representations are immersed in the “conversation and confrontation” present in the show. Drawing on feminist media studies and cultural studies, I examine ¡Qué Mujeres!, a show produced in Venezuela and broadcast in the U.S. Talk shows have become a “hot” topic, eliciting discussion in both the public and academic arenas.Cultural and Critical Studies 2003 AbstractsĪnything You Can Do, I Can Do Better!” Representing Gender in the Talk Show ¡Qué Mujeres!